moss drifters
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An exploration of childhood mythology through botanical transformation, this series creates living characters that blur the line between human and nature. White eyelet cotton serves as a canvas for air plants, moss, and sea glass, while dappled light filters through leaves to paint temporary constellations across white fabric, transforming subjects into ethereal beings that exist between reality and folklore. Through deliberately dreamy exposures and sun-soaked compositions, the images float between documentary and dreamscape, employing multiple exposure techniques and natural light phenomena to blur the line between observation and imagination.
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The series interweaves Kodak Gold 200's natural color rendition with Revolog Kolor's unpredictable color shifts, while crystal prisms are used as in-camera filters to fragment and scatter light. White eyelet cotton serves as a reflective base for carefully arranged botanical elements – air plants, moss, and sea glass – with the prisms creating rainbow refractions that dance across the textured fabric. The Revolog Kolor film adds unexpected color variations that enhance the mythological quality, while Gold 200 maintains faithful reproduction of the delicate details in both shadows and highlights. Shooting through handheld prisms at varying angles creates natural light phenomena that transform ordinary scenes into dreamlike vignettes, with the prismatic effects varying based on sunlight intensity and position.
Camera: 35mm format
Film: Kodak Gold 200 + Revolog Kolor -
Models: Grace Guido & Katherine Cook
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Finder Magazine
Colorwall
